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Diver’s Flight, 2024
Diver's Flight, 2024, exhibition view at Galeria Filomena Soares, Lisbon
Diver's Flight, 2024, exhibition view at Galeria Filomena Soares, Lisbon
Fell Asleep II, 2024, fabric, gravel, acrylic paint, ink, pastel, graphite, vinyl glue, stainless steel, resin, 220 × 185 × 3 cm
Flight, 2024, fabric (various), wood, coconut fiber, rearview mirror, hose, fishing rods, aluminum and copper wire, cord, thread, gravel, lipstick, ink, pastel, 550 × 170 × 100 cm
Diver's Flight, exhibition view with the back of Flight reflected in the mirror
Detail of Flight, 2024, idem
Home, 2024, fabric, cardboard, tile, wood, tile adhesive, aluminum wire, LED light, knife, quill, acrylic paint, 40 × 60 × 30 cm
Diver (she/they), 2024, circular installation in 10 parts / fabric (various), copper and aluminum wire, coconut fiber, thread, pastel, lipstick, 170 cm ⌀ (variable dimensions)
Outerspace, 2024, cardboard, cane, tile adhesive, gravel, acrylic glass, coconut fiber, acrylic paint, graphite, pastel, vinyl glue, 25 × 18 × 18 cm
Scarecrow, 2024, fabric, earth, wood, mirror, wire, cement, nails, screws, resin, acrylic paint, vinyl glue, 137 × 72 x 24 cm
Diver's Flight, 2024, exhibition view with Outerspace (left), Fall (center) and Gestation (right)
Fall, 2024, helmet, gravel, coconut fiber, chalk, stainless steel, aluminum wire, fabric (various), wood, acrylic paint, cord, thread, 105 × 25 × 20 cm
Gestation (front), 2024, fabric (various), wood, ink, graphite, colored pencil, pastel, nails, staples, thread, 88 × 68 × 12 cm
Gestation (back), 2024, fabric (various), wood, ink, graphite, colored pencil, pastel, nails, staples, thread, 86 × 60 × 10 cm
Fell Asleep I, 2024, glasses, cord, thread, acrylic paint, ink, graphite, charcoal, pastel, permanent marker, stainless steel, resin, 132 × 196 × 6 cm
Detail of Fell Asleep I, 2024
Breath, 2024, fabric (various), rubber, plastic, gravel, cord, thread, cane, coconut fiber, acrylic paint, graphite, 77 × 35 × 22 cm
Transient, 2024, fabric, gravel, acrylic paint, ink, pastel, graphite, vinyl glue, stainless steel, resin, 10 × 170 × 10 cm
Diver's Flight, 2024, exhibition view with Throat (left) and In Between (right)
Detail of Throat, 2024, resin, cardboard, gravel, vinyl glue, fabric, iron, cotton, coconut fiber, copper wire, cord, thread, acrylic paint, 150 × 11,5 × 7 cm
In Between, 2024, fabric (various), gravel, cord, thread, aluminum wire, coconut fiber, cardboard, acrylic glass, spoon, stainless steel, acrylic paint, wood, 179 × 53 × 40 cm
Diver's Flight, 2024, exhibition view at Galeria Filomena Soares, Lisbon
Diver's Flight, 2024, exhibition view with the works of Armineh Negahdari, Diego Bianchi, Miriam Cahn and Sara Bichão
Diver's Flight, 2024, exhibition view with the works of Armineh Negahdari, Diego Bianchi, Gyan Panchal, Julien Carreyn and Sara Bichão
Diver's Flight, 2024, exhibition view with the works of Armineh Negahdari, Diego Bianchi, Gyan Panchal, Miriam Cahn and Sara Bichão
Untitled, 2023, aluminum spoon, ceramic, 7,5 × 10 cm
Untitled, 2022, Plywood, tile adhesive, aluminum, acrylic paint, 12,5 × 10 cm
Reflector (bird), 2022, wood, thread, metal, vegetal remains, acrylic paint, 35 × 58 × 60 cm
Diver’s Flight, 2024, watercolor, acrylic paint, graphite, 16,5 × 16,5 cm
Diver’s Flight, 2024, watercolor, acrylic paint, graphite, 16,5 × 16,5 cm
Diver’s Flight, 2024, watercolor, acrylic paint, graphite, 16,5 × 16,5 cm
Diver’s Flight, 2024, watercolor, acrylic paint, graphite, 16,5 × 16,5 cm
Diver’s Flight, 2024, watercolor, acrylic paint, graphite, 16,5 × 16,5 cm
Diver’s Flight, 2024, watercolor, acrylic paint, graphite, 16,5 × 16,5 cm
Diver’s Flight, 2024, watercolor, acrylic paint, graphite, 16,5 × 16,5 cm
Diver’s Flight, 2024, watercolor, acrylic paint, graphite, 16,5 × 16,5 cm
Diver’s Flight, 2024, watercolor, acrylic paint, graphite, 16,5 × 16,5 cm
Diver’s Flight, 2024, watercolor, acrylic paint, graphite, 16,5 × 16,5 cm

Diver’s Flight, a collaborative project by Sara Bichão at Galeria Filomena Soares in Lisbon, curated by Noelig Le Roux.

“This new exhibition by Sara Bichão resonates with the artistic practice of an artist who evolves in a fruitful back-and-forth between solitary work and regular exchanges with fellow artists – which can lead to collaborative projects and co-creations from time to time. These oscillation movements that enrich Sara Bichão’s work and mark her journey have guided the construction of this exhibition, which is both monographic and collective, bringing together, alongside the artist, Armineh Negahdari, Diego Bianchi, Gyan Panchal, Julien Carreyn, and Miriam Cahn.

During our exchanges throughout the preparation of the exhibition, the figure of the diver from Paestum came to nourish our reflections until it imposed itself as the subject of the project. This nude character, painted on the internal wall of a slab covering a Greek tomb from the 5th century BCE, has jumped into the air and is diving towards the water. He is about to join the abyss and the darkness of death, while his image, through the painting, survives in the memory of the living.

The origin of the elements that compose a large part of the works in the exhibition is not far from the choice of this archaeological reference. Sara Bichão has taken them from a house inhabited by memories, and in her own way—like a graft—she prolongs the reminiscences of a home and its inhabitants into another, the one that her works themselves shelter.

(…) Like the diver, she intertwines flight with fall, pleasure with risk.”

Excerpt of the intro text by Noelig Le Roux, 2024

© carbonara.st

Full intro text and museum map, below:

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Sara Bichão’s working process binds with emotional channels: to heal, to purge, to perpetuate, to play. The works are sculptural with a chromatic atmosphere specific to its own, which at times, are activated by the artist through performative actions. The materials used are often collected/offered/stolen, or come from other recycled and organic resources. More recently, Bichão has also been exploring experimental writing.

Sara Bichão is currently developing a long-term collaboration with La S Grand Atelier – Art Brut et Contemporain, in Belgium.

She was an artist-in-residence at Residency Unlimited (New York, USA) and Finisterrae (Ouessant, FR) in 2022, and has attended other residencies over the past years including: Porta 33 (2020, Madeira, Portugal); Cité Internationale des Arts (2019, Paris, FR); Artistes en Résidence (2017, Clermont Ferrand, FR). She received scholarships from the French Institute (2019, 2022), the Calouste Gulbenkian Foundation (2014) and the Luso-American Foundation (2022).

A selection of her solo shows include: Lightless, Serralves Foundation, (2024, Porto); Before I Get Sick at MEEL, Press (2021, Lisbon); What is the thing, What is it at Galeria Filomena Soares (2020, Lisbon); Find me, I kill you at Calouste Gulbenkian Foundation (2018, Lisbon); (2017) Coastal at Barbara Davis Gallery (2017, Houston); My Sun Cries at Portuguese Foundation of Communications (2016, Lisbon); Somebody’s Address at Rooster Gallery (2014, New York).

Some of her past group shows include: Désordres at Musée d’art contemporain de Lyon (2024, France); Between 58 and 131 infinitely, Galerie Martin Janda (Vienna, 2023); Slow Gala at 68 Art Institute (2022, Copenhagen); Twin Islands at Passerelle Centre d’art contemporain (2022, France); (2022) Traverser la nuit: Works From the Antoine de Galbert Collection at Museum of Art, Architecture and Technology (2022, Portugal); Performance 0 at BoCA – Biennial of Contemporary Arts (2021, Portugal); Clorophilia at Porta33 (2021, Portugal); Storytelling at Musée d’art contemporain de Lyon (2019, France); Un pyjama pour deux at Passages Centre for Contemporary Art in Troyes (2019, France); CHAMA at Atelier-Museu Júlio Pomar (2018, Portugal); What I am at Museum of Art, Architecture and Technology (2017, Portugal); }{ { } at Diagrama (2015, Mexico); 2015) Eccentric Exercise II at Kulturni Centar Beograda (2015, Serbia); Soundless Harmonies at Rita Urso Gallery (2014, Italy); Extending The Line at Arevalo Gallery (2012, USA).

Bichão was selected for the FLAD Drawing Prize (2021), Anteciparte’09 (2009), Fidelidade Mundial – Jovens Pintores (2009), BPI – FBAUL (2008).

Her work is part of art collections such as: Fundación ARCO, Antoine de Galbert Collection, France; CACE (State’s Collection of Contemporary Art); FLAD (Luso American Foundation); PLMJ Foundation; EDP – MAAT Foundation; Calouste Gulbenkian Foundation; Carmona e Costa Foundation; MidFirst Bank Collection, Arizona, USA.

CV
Texts (selec.)
Short notes

Sara Bichão
Palácio dos Coruchéus
Rua Alberto Oliveira, Atelier 41,
1700-019 Lisboa, Portugal
Ask: sb@sarabichao.com

Galeria Filomena Soares
Rua da Manutenção n.º 80 (Xabregas),
1900-321 Lisboa, Portugal
info@gfilomenasoares.com
+351 962 373 956

Barbara Davis Gallery
4411 Montrose Boulevard, Suite D
Houston, 77006 Texas, USA
info@barbaradavisgallery.com
+1 713 520 9200

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