She Has Nothing To Say, She Has Everything To Say is a work in collaboration with Manon Harrois that started in 2017. Since then, it has been exhibited and transformed in several spaces and ways.
“The work (…) comes after both artists met again at an art residency in France. This is a performative body of work that results from a number of walks by the artists during a residency in Clermont Ferrand, in the volcanic region of Auvergne. It includes different elements, some found, and others manufactured, and has separate resolutions each time it is reinstalled. In turn, the piece can also be the subject of ‘activation’, that is, it can be embedded into the performance or serve as a device to be spread-out into drawing, leading to several metamorphoses”.
Excerpt from the sinopsis by Delfim Sardo, Anozero Biennial, Coimbra, Portugal, 2017
Les Ateliers, Clermont Ferrand, France, 2017
The artists manipulated the work for 3h30. This first public action – Now this is fucking too hot – was the result of 3 months of residency together.
Biennial Anozero – Healing and Repairing, Coimbra, Portugal, 2017
Collective show curated by Delfim Sardo and Luiza Teixeira de Freitas.
Index – Sonic Geometry, Arquipelago Art Center, S. Miguel, Azores, Portugal, 2018
Collective show curated by Nuno Faria and Nicolau Tudela.
Quando somos 2 somos três, Foundation of Communications, Lisbon, Portugal, 2018
A duo exhibition of Manon Harrois and Sara Bichão, with Galeria Bessa Pereira.
Land Art 2022, Quinta do Pisão, Alcabideche, Portugal, 2022
The artists manipulated the work for 24h. This action – 4 Pés – was the last until now.
Collective show curated by Luísa Soares de Oliveira.